€5,64
The Little Prince, beloved by readers of all ages, comes to life in a format perfect for teen readers.
1 vorrätig
Yayın Tarihi: 15.02.2016
ISBN: 9786059681001
Dil: İNGİLİZCE
Sayfa Sayısı: 120
Cilt Tipi: Karton Kapak
Kağıt Cinsi: Kitap Kağıdı
Boyut: 12.5 x 19.5 cm
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Hamlet is a story of how the ghost of a murdered king comes to haunt the living with tragic consequences. A vengeful ghost and a brother’s murder, dominate the gloomy landscape of Hamlet’s Denmark. Hamlet is arguably Shakespeare’s greatest play, tragicomic, complex and one of the best of his era. It is a psychologically gripping and morally ambivalent play that will haunt you long after its final scene ends. Like his other great play, Romeo and Juliet, the hero dies. – The New Times
Since the first day it was published, the “I Am Wondering Series” has reached thousands of young readers around Turkey.
It is a series that bravely answers the most important questions children have asked about believing in Allah, angels, books, prophets, resurrection after death, and fate…
The old wood-carver Geppetto decides to make a wonderful puppet which can dance and turn somersaults, but by chance he chooses an unusual piece of wood – and the finished puppet can talk and misbehave like the liveliest child. But Pinocchio is brave and inquisitive as well as naughty, and after some hair-raising adventures, he earns his heart’s desire.
Since the first day it was published, the “I Am Wondering Series” has reached thousands of young readers around Turkey.
It is a series that bravely answers the most important questions children have asked about believing in Allah, angels, books, prophets, resurrection after death, and fate…
All children, except one, grow up. They soon know that they will grow up, and the way Wendy knew was this. One day when she was two years old she was playing in a garden, and she plucked another flower and ran with it to her mother. I suppose she must have looked rather delightful, for Mrs. Darling put her hand to her heart and cried, “Oh, why can’t you remain like this for ever!”.
Dostoevsky’s most revolutionary novel, Notes from the Underground marks the dividing line between nineteenth- and twentieth-century fiction, and between the visions of self each century embodied. One of the most remarkable characters in literature, the unnamed narrator is a former official who has defiantly withdrawn into an underground existence. In full retreat from society, he scrawls a passionate, obsessive, self-contradictory narrative that serves as a devastating attack on social utopianism and an assertion of man’s essentially irrational nature.
The Time Traveller (for so it will be convenient to speak of him) was expounding a recondite matter to us. His grey eyes shone and twinkled, and his usually pale face was flushed and animated. The fire burned brightly, and the soft radiance of the incandescent lights in the lilies of silver caught the bubbles that flashed and passed in our glasses.
